“…it was now that [Fleming] gave the only sign of concern he ever made about the possible effect that James Bond was having on the world at large. In a letter to the Rev. Leslie Paxton, of the Great George Street Congregational Church, Liverpool, he revealed a side of himself few of his friends can have suspected:This letter has always interested me. I think it shows how Fleming worried about the effect Bond was having and was a sign he was becoming a more puritan, moralistic person by the time he was writing the Bond novels than he had been necessarily in his youth.
I see from the public prints that the Sunday before last you preached a sermon against the leading character in my books, James Bond, and, presumably by association, against myself.
Now, having had a Scottish nonconformist upbringing and considering myself at least some kind of a sub-species of a Christian, I am naturally very upset if it is thought that I am seriously doing harm to the world with my James Bond thrillers.
Would you be so very kind and let me have a copy, if you have one, of your sermon, so I may see the burden of your criticisms and perhaps find means of mending my ways if I feel that your arguments have real weight behind them.
I can, of course, myself see what you mean about my books, but it occurs to me that you may have put forward profounder arguments than those that are already known to me.
This unlikely mood of death-bed repentance did not last long. Mr. Paxton hastened to assure him that he had never implied that the creator of James Bond had done the world a serious disservice. Reassured, Fleming turned his thoughts once more to making the best of a distinctly strained future.”
Kingsley Amis in The James Bond Dossier, (1965), p. 85 in the Pan 1966 paperback edition points out that:
“The moral content of Mr. Fleming’s work, the values expressed or implied, whether through Bond or directly by the author, have been denounced all over the place. Bernard Bergonzi, in a long piece in The Twentieth Century, March 1958, lamented the ‘total lack of any ethical frame of reference’ in the books. In the course of reviewing On Her Majesty’s Secret Service in the Sunday Times, Raymond Mortimer complained that Bond’s values were ‘both anti-humanist and anti-Christian.’”Amis goes on to defend Bond’s moral values, stating:
“I should have thought that a fairly orthodox moral system, vague perhaps but none the less recognizable through accumulation, pervades all Bond’s adventures. Some things are regarded as good: loyalty, fortitude, a sense of responsibility, a readiness to regard one’s safety, even one’s life, as less important than the major interests of one’s organization and one’s country. Other things are regarded as bad: tyranny, readiness to inflict pain on the weak or helpless, the unscrupulous pursuit of money or power. These distinctions aren’t excitingly novel, but they are important, and as humanist and/or Christian as the average reader would want. They constitute quite enough in the way of an ethical frame of reference, assuming anybody needs or looks for or ought to have one in adventure fiction at all.”There are strong religious symbols and themes used throughout the Bond novels. The best example is the reference to Bond as a St. George figure slaying the dragon and rescuing the damsel in distress. For example, Tiger Tanaka says to Bond in You Only Live Twice, “You are to enter this castle of death and slay the dragon within.” This religious reference is also continued in the John Gardner Bond novels. The Bond novels display the classic battle between Good and Evil and the St. George references are an interesting way of highlighting this.
There are also some more direct references to the Christian religion and the Bible throughout the Bond novels and short stories. In Fleming’s The Property of A Lady, set in an auction room, there is the following:
“Bond picked up a wood and ivory plaque that lay on the table. It said:In John Gardner’s Nobody Lives Forever it is revealed that Bond had a very Calvinistic upbringing. John Calvin, of course, was one of the great Protestant reformers. John Gardner himself was a one-time Anglican priest in the Church of England, following his father into the profession until he gave it up, becoming an agnostic for many years until re-entering into the Christian faith a number of years ago. There are references to the Bible and poetry spread throughout his continuation Bond novels. Scorpius has ‘The Society of the Meek Ones,’ taken from one of the Beatitudes of Jesus Christ, ‘The meek shall inherit the Earth.’ Father Valentine in the novel uses an amalgam of faiths to convert disciples to carry out his suicide bombings and assassinations of politicians for him.
It is naught, it is naught, saith the buyer.
But when he is gone his way, he boasteth.
- Proverbs XX, 14
Bond was amused. He said so. ‘You can read the whole history of the bazaar, of the dealer and the customer, behind that quotation,’ he said. He looked Mr Snowman straight in the eyes. ‘I need that sort of nose, that sort of intuition in this case. Will you give me a hand?’”
In Raymond Benson’s first Bond novel, Zero Minus Ten, there is the following passage in Chapter 20, ‘Walkabout’:
“The Aborigines are known for practising something called a ‘walkabout’, a rite of passage for young and old people alike. They would go out into the bush and stay there for days, weeks, or even months, living off the land, becoming one with the spirits whom they believe live there, and then return. Some say that the spirits act as guides and protect the humans. Bond wasn’t a religious man, but he stood there under the stars and closed his eyes. He breathed deeply several times, concentrating on the silence of the desert.”From what is known about Ian Fleming’s background, and the fact that he based much of Bond on his own experience, it is fair to say that Bond was probably from a nonconformist Protestant background, as his father was a Scot from Glencoe, and Fleming himself was of this religion. The Protestant religion also fits more with the Anglo-Saxon, British Raj, patriotic elements which the pre-war spy thrillers with their support of the British Empire, which the Bond novels were partially descended from where the villain was mostly a foreigner, usually from Europe, and never from within Albion’s shores. As Amis points out in his Dossier, “Throughout Bond’s adventures no Englishman does anything bad. The villains are Americans, Bulgars, Chigroes, Corsicans, Germans, Italians, Jugoslavs, Koreans, Russians, Sicilians, Spanish-Americans and Turks.” “To use foreigners as villains is a convention older than our literature.” The rightness of England has with the attendant notion of the rightness of the Anglo-Saxon mainly Protestant view of England, and this is why I think I can accurately pinpoint what religion Bond was born into and practiced - the Protestant religion and the Scots Presbyterian denomination.